


This campaign came to us from a submission for Fotolia, and we’re very thankful for this submission. It gained silver at the One Show Awards for typography. I dig the brand identity usage and the typography but the message for me is a little long. But it is clearly intentional by taking a risk at attacking your senses with the type bunched up vertically making it difficult to read, and the copy supports this elitist wit. But to be fair even though this is daring I question one thing: If their targeting just copy writers and creative directors than this ad is a success. But if their also trying to target art directors and designers at least for me the visual joke of it got lost because I just didn’t want to read it.
Than I did read it, because I am reviewing this campaign and I have to say my opinion of the copy writing is that it is witty and fun, and daring. But I’d like your opinion do you enjoy the concept, layout and the copy writing execution?

From the submitter:
What separates an excellent ad from an average one?
It could be the use of clever humor to catch us off-guard with a surprised snort that brands product recognition into our skulls. Or maybe it plays to our senses and places us directly in the moment with that product, leaving us feeling as though we’ve missed out on something when the screen flicks to back to our guilty-pleasure, trashy reality show. What makes an excellent ad? You could ask the Old Spice hunk.
Or you could ask MacLaren McCann, the ad agency that came up with the award-winning campaign for Fotolia entitled, #1 in Europe.
MacLaren McCann pushed the boundaries of advertising. They took a risk, creating an unconventional campaign that included no talk of price, quality, or product. They broke the rules, unleashing some controversial creative writing and a block of tight-set typography that made it almost hard to read.
But what came out of it was an ad so cheeky, that it would take some effort to peel your eyes off of it once you?ve started to read. From only a single run-on sentence, a couple fragments, and a dash of tastefully arrogant sarcasm, we learn that Fotolia is Europeâ•?s number one stock photography company, and proud of it. MacLaren McCann played to both American and European stereotypes — and challenged them — to create eight short narratives that encourage people to take the trendy route and join Fotolia\’s Europeanized, uber-cool list of users.
The risk was taken, and the payoff was huge. MacLaren and McCann had their exceptional work recognized by an audience of advertisers when they won the Silver Pencil award from One Show Design. Alongside them were companies with other fantastic ad campaigns such as Ikea, Nike and BMW.
Perhaps the Old Spice hunk and MacLaren McCann have both uncovered the recipe to a successful ad campaign: one cup of innovation and two cups of risk.
Art Director: Mike Meadus
Creative Director: Mike Meadus
Copywriter: Nicolle Pittman
Typographer: Mike Meadus